victorian

Here are a few photos of props made by Margaret Marie Hubbard and Jeffrey Walton for the film. Included are the Monster’s heart, progress photo and completed photo. Justine’s neck brace, progress photo and completed photo. Also, a photo of the gears made for the Monster’s neck piece. This was attached to the Monster and was made to actually shoot steam out of it. These gears are completely original items. I drew up the plans for crafting them and Jeffrey Walton used a CNC machine to craft the base gears and a die grinder to sculpt and shape it. Everything for the neck gears was made specifically for the amazing Matt Risoldi who played The Monster.
Thank you for your continued support!

Cogs & Gears,
Margaret Marie Hubbard

It’s about passion for fashion. These are not all the costumes, but just a handful. Elizabeth’s wedding dress will be kept under wraps until the film is released. The same will go for the monster’s look and costume.

In the world of Frankenstein’s Monster (2013), Victor’s obsession over Prometheus’ Spark, causes him to dive into multiple sciences. It is in his laboratory and through his creation that we will see steampunk elements shine. Some steampunk elements will not as obvious as others. Expect wood, metal, a claustrophobic environment, bronze, steam, symbolism, and other sciences represented.

A contrasting world will be created compared to Victor and his laboratory. The outside world exists in American Southern forests and nearby estuaries. It gives a feeling of isolation that matches Mary Shelley’s impressions. Women’s costumes will lean either Southern or Western. Most dresses will be either pastels or neutrals. Lots of frills. Some dresses with hoop skirts. All of the costumes are 19th Century.